17 Best Lenses for Canon Cameras: APS-C and Full-Frame Sensor DSLRs (2019)

17 Best Lenses for Canon Cameras in 2019: For Both Crop (APS-C) and Full-Frame (FX) Sensor DSLRs.


Look:

If you are a Canoner and ready to upgrade your gear then this article is for you.

Specifically, I’ll cover the 17 best lenses for Canon cameras in 2019.

Did you notice?

I’m not saying “best Canon lenses”, instead I’m saying “best lenses for Canon” because I also included a few awesome options from third-party manufacturers.

Now, you might know that Canon uses 2 sensor sizes: full-frame and APS-C.

Therefore in this list you will see the lenses for both APS-C (crop) sensor and full-frame sensor DSLRs, so you will for sure find one that suits your needs best. 

To speed your research up:

(Later, I will also update this post with an extensive buying guide for beginners.)

Let’s get started, shall we?


Best Walk-Around Lens for APS-C Canon DSLRs


Canon EF-S 17-55mm f/2.8 IS USM

  • Type: Zoom lens
  • Weight: 645 g (1.42 lb)
  • Compatible format: APS-C
  • Autofocus: Yes
  • Image stabilization: Yes
  • Is it sealed: No
  • Zoom method: Rotary (extended)
  • Good for: Portraits/travel

First things first…

Canon EF-S 17-55mm f/2.8 IS USM is a high-quality, high-aperture zoom lens which is a great replacement for your kit lens.

Thanks to its image stabilization (IS) and f/2.8 aperture you can enjoy shooting in rather low-light conditions, and get detailed images with a sweet bokeh.

Some would argue that it didn’t become the L-type just because it doesn’t work on full-frame sensors and it isn’t sealed.

Yep, it’s that good.

Now, let’s have a quick what you might like/dislike about this lens.

 What you might like about it:

  • great sharpness
  • mild vignetting (also known as “light fall-off”)
  • wide, constant-over-the-zoom-range
  • fast and silent autofocus (thanks to its ultrasonic motor)
  • very effective image stabilizer
  • nice background blur

 What you might not like about it:

  • not a good AF for video
  • costs more than most entry-level bodies
  • hood isn’t supplied with this lens
  • no dust or moisture protection

Final thoughts: A Great Alternative to Your Kit Lens


If you want to improve the quality of your images, give this lens a try.

In most cases, a crop sensor camera with this particular lens will work as well as full-frame one, with its ability to shoot in low light and get a nice bokeh.

I’ll say more…

The 17-55mm f/2.8 IS USM is arguably the best walk around lens for Canon APS-C sensor DSLRs today.



Ultra Wide Zoom With Top Image Quality


Canon EF-S 10-18mm f/4.5-5.6 IS STM

  • Type: Wide angle zoom
  • Weight: 240 g (0.53 lb)
  • Compatible format: APS-C
  • Autofocus: Yes
  • Image stabilization: Yes
  • Is it sealed: No
  • Zoom method: Rotary (internal)
  • Good for: Real estate/landscapes

I’ll be honest:

With this beauty, you’ll forget about typical problems of shooting in cramped conditions.

Even if it’s a small room, thanks to its maximum 97°10′ angle of view horizontally, you won’t have to back up far enough to include everything you want in the image.

(As you would with a normal lens).

That’s why it’ll be great choice for real estate, architecture and landscape photography. 

Another little bonus:

This lens has a smooth and silent stepper motor autofocus (STM), which is especially valuable for those who like to shoot videos too. 

 What you might like about it:

  • small and light
  • minimum focus distance = 22 cm (8.66)
  • excellent sharpness when wide open (large aperture)
  • best price/quality ratio

 What you might not like about it:

  • its plastic construction
  • barrel distortion
  • flares very easily when photographing light sources

Final Thoughts: Best Affordable Ultra Wide Angle Zoom


Its image quality, edge-to-edge sharpness and autofocus accuracy are a very strong competing advantage over the currently available lenses of this class.

If you…

  • like to shoot not only photos, but also videos,
  • looking for a reliable friend during your travel adventures,
  • or simply need a great ultra wide-angle lens,

…then Canon EF-S 10-18mm f/4.5-5.6 IS STM is your best bet.



Budget Telephoto to Complement Your Kit Lens


Canon EF-S 55-250mm f/4-5.6 IS STM

  • Type: Telephoto zoom
  • Weight: 375 g (0.83 lb)
  • Compatible format: APS-C
  • Autofocus: Yes
  • Image stabilization: Yes (4 stops)
  • Is it sealed: No
  • Zoom method: Rotary (extending)
  • Good for: Wildlife/travel/portraits

A lot of people would recommend 50mm prime lenses to get after your kit lens (and for good reason).

However, the said lens doesn’t add to your available focal length range. 

So…

If you need to cover a wide range of focal lengths and are on a tight budget, the Canon EF-S 55-250mm is a great telephoto to complement your kit lens.

It gets better:

Just like with the 10-18 lens we saw earlier, this lens also has a silent and smooth STM, and that allows you to use it effectively not only for stills but also for video shooting.

 What you might like about it:

  • price tag = under $500
  • lightweight
  • versatile, works great for most shooting situations
  • precise autofocus
  • image quality is on par with the professional grade lens
  • The stabilizer is absurdly effective, and autofocus is snappy and precise.

 What you might not like about it:

  • plastic barrel/mount
  • not ideal for low light photography

Final Thoughts: By Far the Best Bang for Your Buck


Truth is, Canon EF-S 55-250mm is a must have lens for beginner photographers.

While it’s not the fastest lens, it’s one that will likely fit your budget and will offer high image quality and a great zoom range. 

(Even its plastic construction isn’t a major problem for many people.)

Without a doubt, with the features that you get, this telephoto lens is by far the best bang for your buck.

Note:

When buying, make sure it’s the IS STM version!



Best Telephoto Prime Lens for the Money


Canon EF 85mm f/1.8 USM

  • Type: Telephoto prime
  • Weight: 425 g (0.94 lb)
  • Compatible format: APS-C/FX
  • Autofocus: Yes
  • Image stabilization: No
  • Is it sealed: No
  • Good for: Portraits/product photography

I’ll say this…

Even though this lens has a significantly lower price compared to the top models, it’s still a classic portrait “glass” with a very nice image quality and soft bokeh.

Also, thanks to its light weight and the presence of an ultrasonic focusing motor 85mm f/1.8 lens focuses very quickly and accurately. 

(In fact, some even argue that it’s better than the 85mm f/1.2 option. See the reviews.)

Note:

You’ll notice that this is an EF mount lens and that’s OK. It will be compatible with your APS-C sensor Canon DSLR. 

Just so you know, you can’t use EF-S lenses on a full frame but you can use EF lenses on crop sensor cameras.

 What you might like about it:

  • great price/quality ratio
  • extreme sharpness
  • small size and low weight
  • mild vignetting

 What you might not like about it:


Final Thoughts: 85mm f/1.8 is Canon’s Hidden Gem


Seriously, you get a lot for the money.

If you need…

  • a balanced contrast,
  • fast autofocus, and,
  • a sharp depth of field,

…this is your go-to lens.

Without a doubt:

The 85mm f/1.8 is one of the must-have portrait lenses for beginner and advanced photographers alike. 



Nifty-Fifty: Meet the “Prince of All Lenses”


Canon EF 50mm f/1.8 STM

  • Type: Prime
  • Weight: 425 g (0.94 lb)
  • Compatible format: APS-C/FX
  • Autofocus: Yes
  • Image stabilization: No
  • Is it sealed: No
  • Good for: Portraits/product photography

Here’s the truth…

When it comes to primes, I call the 50mm f/1.4 “the king of all lenses” and the 50mm f/1.8 “the prince of all lenses”.

For some people the 50mm f/1.4 is a bit pricey, so if you’re on a tighter budget, then absolutely go for f/1.8! This lens will blow you away.

One of the biggest upgrade points from the old version was the inclusion of STM aka stepper motor, which made it’s autofocus even better. Like most Canon lenses, this one is fast and accurate.

(And now it’s quiet too.)

Also, thanks to its wide aperture, you can also improve the quality of photography in low light conditions.

Note:

On an APS-C sensor body, this nifty-fifty will make the field of view a bit narrow but in no way does it interfere with your creativeness. (And if you ever get a full frame DSLR, it will be simply outstanding.)

 What you might like about it:

  • light and compact
  • wide aperture and shallow DOF
  • massive upgrade from the old version
  • one of the most affordable Canon lenses

 What you might not like about it:

  • hood isn’t supplied
  • reaches its full potential with a FX camera

The 50mm f/1.8 Prime Will Exceed Your Expectations


I’ll be honest:

This is the best prime lens for those starting out.

I mean…

It is sharp, lightweight, compact, inexpensive and works in low light conditions. What else can we ask for?

Truth is, every photographer must have at least one prime in his collection. And this nifty-fifty is a no-brainer.

Don’t believe me?

==> Read the GLOWING reviews from other users.



One of the Best 1:1 “One-Size” Macro Lenses


Canon EF-S 60mm f/2.8 Macro USM

  • Type: Telephoto macro prime
  • Weight: 335 g (0.74 lb)
  • Compatible format: APS-C
  • Autofocus: Yes
  • Image stabilization: No
  • Is it sealed: No
  • Good for: Macro/food/full body portraits

Now…

While the 50mm f/1.8 could work for macro shots, if you’re truly into macro photography have a look at Canon EF-S 60mm f/2.8 lens.

In fact, because it features the 1:1 magnification ratio, it’s a true macro lens.

(Some manufacturers just slap “macro” text on a lens for marketing purposes.)

For what it’s worth, having 1:1 ratio means that the image on the sensor is the same as that of the object being photographed.

In terms of image quality, it’s great. I mean the level of sharpness and color rendition that you see with this glass is on par with the L-series lenses. 

You won’t be disappointed.

 What you might like about it:

  • great price/quality ratio
  • wide aperture = good low light photos
  • high contrast
  • excellent sharpness
  • quick focusing for a macro lens
  • great for food and product photography, as well as full-body style portraits
  • works pretty well for general use

 What you might not like about it:

  • can be used on Canon APS-C (crop) sensor DSLRs only
  • the focal length is a bit tight for indoor use

Thoughts: A Great Choice for Macro Work (And More)


Don’t want to sound like a broken record but the main advantage of this glass is its highest level of sharpness and excellent contrast, which is not lost even when shooting with backlight.

It is also pretty versatile and with its focal length you take people shots, landscapes, food and product photos.

Truth is…

If you’re a macro photography enthusiast, then 60mm f/2.8 is a true macro lens for you because of its 1:1 ratio.



One of the Best Prime Lenses for Canon DSLRs


Canon EF-S 24mm f/2.8 STM

  • Type: Prime
  • Weight: 125 g (0.28 lb)
  • Compatible format: APS-C
  • Autofocus: Yes
  • Image stabilization: No
  • Is it sealed: No
  • Good for: Street/travel/landscapes

Usually entry-level DSLRs come with zoom kit lenses, which you can’t really put in your pocket and carry around.

Let’s face it:

Bulky camera gear is too bothersome to take with you everywhere, especially when you’re backpacking, travelling or simply having outdoors adventures.

And this is where inexpensive 24mm f/2.8 “pancake” lens comes in.

With it your crop sensor DSLR will pretty much become a compact camera with killer capabilities.

First of all, it’s sharp. Secondly, it’s got great macro capabilities. Thirdly, it’s wide so you can really capture the scenery.

The list goes on and on. 

There’s pretty much no downside to having this glass.

 What you might like about it:

  • under $150
  • super small and light (uh.., duh)
  • extremely sharp
  • decent amount of background blur
  • its build quality will last a long time

 What you might not like about it:

  • no image stabilization
  • can be used on Canon’s crop sensor cameras only

Sweet “Pancake” Lens for All Around Shooting


Honestly, the 24mm f/2.8 is one of the best prime lenses you could invest in.  

I mean, this pancake is:

… just to name a few.

Really, with this lens you’ll just want to keep shooting. Everything you can, anywhere you are.



Best Canon Full-Frame Lenses for 2019


The lenses above were the ones that worked on Canon’s APS-C sensor DSLRs. 

And from this point onward you’ll see the top rated lenses specifically for full frame (FX) Canon camera bodies.

(This selection will also include excellent third party lens manufacturers that are compatible with the Canon mount.)

So…

What are the best lenses for full frame Canon cameras in 2019? Let’s see.


Canon’s Workhorse Standard Zoom for Pros


Canon EF 24-70mm f/2.8L II USM

  • Type: Zoom
  • Weight: 805 g (1.77 lb)
  • Max compatible format: Full-frame (FX)
  • Autofocus: Yes
  • Image stabilization: No
  • Is it sealed: Yes
  • Zoom method: Rotary (extending)
  • Good for: Low light/portraits/landscapes

The lens is sharp with f/2.8 aperture in its entire zoom range, offers outstanding image quality with a nice bokeh. 

Let’s face it:

Once you start shooting with this rather compact zoom lens, you’ll instantly love it. It’s a very versatile and high-quality lens in every sense. 

In fact, it’s the workhorse standard zoom for pros and enthusiast photographers alike.

Works for different types of photography including, but not limited to, landscapes, portraits, weddings, travel and low light photos.

Note that while you can use the 24-70 f/2.8 lens on a crop body, it achieves its full potential on a full-frame body. 

 What you might like about it:

  • fast autofocus
  • great in low light conditions
  • edge-to-edge sharpness at all focal lengths
  • very little chromatic aberration, if any
  • dust and moisture protection

 What you might not like about it:

  • no image stabilization
  • when wide open, a slight drop in sharpness on the edges of the frame 

Final Thoughts: The Zoom that Simply Delivers


Truth is:

24-70mm f/2.8 is the main working tool of the reporter, wedding photographer and everyone who shoots a lot, actively and more often with poor lighting.

Fast autofocus, contrast, sharpness, bokeh… whatever you want to ask about, this lens simply delivers.

You may wonder:

  • Is this lens worth buying if I don’t make money from photography?

Well, if you strongly passionate about photography and want to be able to get great shots in pretty much any situation, then this glass certainly is worth considering.



Best DSLR Standard Zoom (TIPA Award Winner)


Canon 24-105mm f/4L IS II USM

  • Type: Telezoom
  • Weight: 795 g (1.75 lb)
  • Max compatible format: Full-frame (FX)
  • Autofocus: Yes
  • Image stabilization: Yes (4 stops)
  • Is it sealed: Yes
  • Zoom method: Rotary (extending)
  • Good for: Travel/portraits/landscapes

Look:

If you love to travel and are looking for versatile options, have a look at 24-105mm f/4 lens.

For this L-series zoom pretty much nothing is impossible: you can shoot in any scene situations, from events to landscapes to portrait shots.

(Well, except for macro photography.)

Because of its uniform pattern across the frame, well-corrected aberrations, constant aperture and a silent autofocus motor, this lens will also be of interest to people shooting videos with a full-frame DSLR. 

 What you might like about it:

  • zoom lock feature
  • smooth video shooting
  • pretty good low light performance
  • lens hood included
  • presence of image stabilization
  • near silent autofocus
  • doesn’t feel as heavy as you’d expect it to be

 What you might not like about it:


Thoughts: Great Walk Around Travel Lens for 2019 


The set of features that includes high sharpness, convenient range of focal lengths, fast autofocus, and the presence of a stabilizer makes 24-105 f/4L as one of the most popular zoom lenses for Canon full-frame cameras.

It’s no coincidence that TIPA, the global technical image press association, gave it an award as “the best DSLR standard zoom lens”.

I mean, the price/performance ratio is great, IMHO.



One of the Best Super-Zoom Lenses for 2019


Canon EF 28-300mm f/3.5-5.6L 

  • Type: Zoom
  • Weight: 1670 g (3.68 lb)
  • Max compatible format: Full-frame (FX)
  • Autofocus: Yes
  • Image stabilization: Yes (3 stops)
  • Is it sealed: Yes
  • Zoom method: Push/pull (extending)
  • Good for: Travel/portraits/sports/nature

Here’s the deal:

This lens was first released back in 2003, but still has not lost its value. The reason for this is its extraordinary versatility.

Great range, fast autofocus, amazing image quality… 

I mean it can potentially shoot any scene you want, whether it’s nature, portraits, architecture, commercial photography, reportage shooting.

The maximum focal length is 300 mm, which is suitable even for sports photography.

Also with the maximum FL you can expand to f/5.6 and this will give your photos a stunning background blur.

 What you might like about it:

  • rugged construction
  • effective image stabilization
  • natural bokeh effect and color rendition
  • dust and moisture protection
  • compatible with extenders

 What you might not like about it:

  • on the pricier end
  • pretty bulky/heavy for everyday use + not conspicuous

This Lens Will Realize Any Task of Yours


Without a doubt…

Canon 28-300mm f/3.5-5.6L is a powerful professional tool. To really appreciate it, you need to understand what it was created for.

As you know already, Canon’s workhorse standard zoom is 24-70mm lens and for good reason. For most pros, that focal length range isn’t enough so they often have the 70-200mm lens. 

The issue though is that it’s not very convenient to keep changing these glasses.

And that’s where 28-300 zoom comes in.

This is especially the one for you if you shoot in the rain, with a strong wind and dust and/or from a helicopter.



Best Budget L-Series Telephoto Zoom Today


Canon EF 70-200mm f/4L USM

  • Type: Telephoto zoom
  • Weight: 770 g (1.7 lb)
  • Max compatible format: Full-frame (FX)
  • Autofocus: Yes
  • Image stabilization: Yes
  • Is it sealed: Yes
  • Zoom method: Rotary (internal)
  • Good for: Events/outdoor sports/portraits

Like I mentioned in the previous paragraph, professional photographers often use a 70-200mm lens with a long focal length range. Here’s why. 

First of all…

This is a truly remarkable telephoto zoom that you can get at an affordable price in its category. 

It has a constant aperture which means that you won’t have to keep increasing ISO when zooming. At f/4 you get more light at full zoom = means faster exposure. In other words, this lens maintains ultra-fast focusing and produces excellent image quality during reportage photography.

(For example, taking photos of birds/planes in the sky or shooting your kid in a soccer match outdoors.)

I can go on and on about how awesome this glass is. Point is… there are practically no reasons for you NOT to own it.

 What you might like about it:

  • amazing bokeh and the level of sharpness
  • high frame rate and fast focusing
  • great ergonomics
  • is very light for a telephoto zoom lens
  • weather sealed

 What you might not like about it:

  • while autofocus is great, it’s not constant in low light situations
  • might not work for indoor sports 

The Most Affordable Lens from Canon’s L-series Lineup


It’s a classic L-lens with all the advantages of top-class lenses: reliable and well-thought-out design, dust and moisture protection, high sharpness with an open aperture.

You may wonder whether to get f/2.8 instead and let me tell you that it costs and weighs twice as much as the f/4 version. I’d recommend getting f/2.8 only if you really need outstanding images in low-light.

Without a doubt:

70-200mm f/4 offers a great quality/price combination.

Like I mentioned earlier, this lens can be used for a variety of scenes but because it’s a lightweight and compact L-series lens, it will especially appeal to travellers.

Either way, you will NOT be disappointed.



The Best Prime Lens for Portraits in 2019


Canon EF 85mm f/1.2L II USM

  • Type: Telephoto prime
  • Weight: 1025 g (2.26 lb)
  • Max compatible format: APS-C/FX
  • Autofocus: Yes
  • Image stabilization: No
  • Is it sealed: No
  • Good for: Portraits/weddings/low light

Look…

While the previously mentioned 70-200 is great for many scenes, if you’re heavily focused on weddings/portrait photos, then 85mm f/1.2L II is a must-have lens in your bag.

Arguably, it’s the best one out of the three 85mm lenses in the Canon lineup.

It gets better:

It’s also an awesome choice if you often shoot in low-light conditions. 

Now your photos shot in museums, weddings/events and studios with more ambient light will be pretty much indescribable. The color saturation and contrast will probably be the best you’ll ever see in Canon lenses. 

Keep in mind that because this model was sharpened specifically for portraits, don’t expect a quick autofocus.

Let’s have a look at some of the things you might like/dislike about the 85mm glass.

 What you might like about it:

  • amazing bokeh
  • narrow DOF = great artistic photos
  • outstanding contrast and color rendering
  • robust design/build
  • works for both full frame and crop sensor Canon cameras

 What you might not like about it:

  • heavy
  • slow focus
  • it’ll take some time to learn how to use it, especially if you’re a beginner

Thoughts: The Holy Grail Lens for Portrait Photography


I’ll say this:

The color rendering and the bokeh with 85mm is almost magical.

If you want an uncompromising image quality and are looking for the best portrait lens on the market right now, this is definitely the one.

Keep in mind…

While this lens does look small and compact, the high-quality glass and metal body did their job – it actually weighs 1 kg. (So, if you decide to travel, this might impose certain difficulties.)

Either way, this prime is great.



Great Tamron Portrait Lens for EF Canon Bodies


Tamron SP 85mm f/1.8

  • Type: Prime
  • Weight: 700 g (1.54 lb)
  • Max compatible format: FX
  • Autofocus: Yes
  • Image stabilization: Yes (3.5 stops)
  • Is it sealed: Yes
  • Good for: Portraits/weddings/low light

Here’s the deal…

If you find that the previous Canon 85mm lens exceeds your budget, the consider Tamron SP 85mm f/1.8.

A cheaper, yet awesome, third-party manufacturer alternative.

It costs under $1000 and offers a beautiful bokeh and shallow depth of field that you’ll absolutely love as a portrait photographer.

The main feature of this lens is its image stabilization.

The stabilizer not only helps to shoot in low light situations but also decreases the likelihood of micro motion blurs. (The phenomenon that happens with high resolution sensor cameras, such as Nikon D810 or Canon EOS 5DS R.)

Fun fact:

Tamron 85mm f/1.8 is the world’s first stabilized portrait lens for DSLR cameras.

 What you might like about it:

  • highly effective image stabilization (IS)
  • weatherproofness
  • high image detail when wide open
  • soft background blur
  • low level (if any) of chromatic aberrations/color fringing
  • pretty fast AF

 What you might not like about it:

  • VC (vibration compensation) makes a bit of noise
  • it’ll need autofocus fine tuning to avoid spherical aberration and focus shift

Thoughts: At This Price This Lens is A Steal


I know that a lot of people are hesitant buying third-party manufacturer lenses but this one really is a good one.

The important features it has compared to a “native” Canon glass are its weather sealing and image stabilization that will make sure you don’t experience any micro motion blurs.

So, for under $1000 you get:

  • dust and moisture protection,
  • great low light performance,
  • useful VC for handheld shooting,
  • high image quality and sharpness,

… without a doubt, at this price this Tamron is a steal.



Canon’s Best Ultra Wide Zoom Lens


Canon EF 16-35mm f/4L IS

  • Type: Wide-angle zoom
  • Weight: 615 g (1.36 lb)
  • Max compatible format: Full-frame (FX)
  • Autofocus: Yes
  • Image stabilization: Yes (up to 4 stops)
  • Is it sealed: Yes
  • Zoom method: Rotary (internal)
  • Good for: Architecture/landscapes/travel/street

I’ll say this…

If you’re looking for the opportunity to look at the world wider by increasing the viewing angle to an unreal 108 degrees, then Canon 16-35mm f/4 is the right “guy” for you.

Now, when I say “unreal” here, I mean it literally.

Super wide angles are capable of changing familiar objects beyond recognition, reinforcing perspective distortions in a photo. Basically unusual angles is the very element of this kind of lenses.

The second advantage of a wide viewing angle is the ability to fit into the frame everything that wouldn’t with any other lens.

For example:

With a 16-35mm you could take a photo of the Eiffel Tower at a distance of 100 meters away and capture awesome sky/clouds and with rose bushes in the foreground as well.

Awesome, isn’t it?

The third thing you’ll love is that even though it’s not the best lens for low light, if you were to shoot in dim light conditions, the built-in image stabilization sure would help.

 What you might like about it:

  • dust and moisture protection
  • fast and silent USM autofocus system
  • high sharpness with open aperture
  • no chromatic aberration
  • minimal glare sports if any
  • soft vignetting
  • image stabilization

 What you might not like about it:

  • slight drop of sharpness on the edges of the frame when wide open
  • slight barrel distortion

One of the Best Super Wide Angle Zooms (for Landscapes)


Let’s face it…

Canon 16-35mm f/4 is one of the best ultra-wide zoom lenses you’ll find on the market.

It’s ideal for landscapes, architecture, street/travel photos, photojournalism, real estate. You can make it work even for portraits (though don’t expect the same level of background blur as you would get with actual portrait lenses.)

Lastly:

This lens is pretty light and compact, which helps if you travel a lot and carry your gear around for long periods of time.



Best Telephoto Macro Prime for Canon DSLRs


Canon EF 100mm f/2.8L Macro IS USM

  • Type: Telephoto macro prime
  • Weight: 625 g (1.38 lb)
  • Max compatible format: Full-frame (FX)
  • Autofocus: Yes
  • Image stabilization: Yes (4 stop Hybrid IS)
  • Is it sealed: Yes
  • Good for: Portraits/macro/product photography

Truth is…

Macro photography is the type of shooting that is considered to be highly specialized, but it often becomes a favorite genre among photographers.

So, what can be said about Canon 100mm f/2.8 lens?

First of all, its high aperture allows you to shoot with narrow depth of field, and the presence of image stabilization (IS) significantly makes your life easier.

If you’re looking for a cheaper alternative, check out Tamron AF 90mm f/2.8 Di SP.

Keep in mind though that it doesn’t have image stabilization, so you’d have to use a tripod.

Though to be honest, choosing Canon’s 100mm f/2.8 is a lot more worth it.

Let’s face it:

Anyone who’s ever shot with a macro lens knows how important it is: without a stabilizer you’ll quickly get tired of the picture “jumping” in the viewfinder and getting blurry images is super easy even at a short shutter speed.

(Especially important considering that macro photography involves often being in uncomfortable positions.)

 What you might like about it:

  • good price/quality ratio
  • dreamy bokeh especially at aperture f/2.8
  • weather sealed
  • image stabilizer works great
  • fast and accurate focusing
  • focus range limiter switch for faster focusing
  • high level of sharpness when wide open
  • no chromatic aberration
  • pretty lightweight

 What you might not like about it:

  • the image stabilizer is a bit loud
  • it comes with a hood but it fits a bit loosely

Without Doubt It’s a Top Macro Lens in Canon’s Lineup


While it’s not a true 1:1 macro lens, arguably, Canon 100mm f/2.8 is one of the most versatile macro lenses.

Thanks to the stabilizer and a fast autofocus motor it’s quite possible to shoot even such a dynamic scene as a bumblebee flying.

Point is…

You really can’t go wrong with it especially if you’re a huge fan for macro shooting, as well as close up portraits and product photography.

If you can afford it, get it. It’ll seriously blow your mind.



Versatile Pancake for Full Frame Canon Cameras


Canon EF 40mm f/2.8 STM

  • Type: Prime
  • Weight: 130 g (0.29 lb)
  • Compatible format: APS-C/FX
  • Autofocus: Yes
  • Image stabilization: No
  • Is it sealed: No
  • Good for: Street/travel/landscapes

Here’s the deal…

Based on the technical characteristics it doesn’t fall under the usual categories: it’s not a portrait glass and it’s not fully a wide-angle too.

At the same time, having the focal length of 40mm gives you enough space in small rooms, as well as shoot landscapes and moderate full-body portraits outside.

Canon EF 40mm f/2.8 is as compact as the EF-S 24mm f/2.8 lens I mentioned earlier in the article. It offers high level of sharpness when wide open, so you’ll be able to take nice shots in dim light situations.

With a significantly small aperture, you get highly detailed images with a deep depth of field (DOF).

This makes this lens indispensable when shooting on the go and that’s exactly what you need when you travel so you don’t miss a moment.

Now…

This pancake is compatible with both APS-C and FX sensor cameras but keep in mind that on APS-C it’ll look like 65mm because of its cropped sensor.

(Math: 40mm X 1.6 crop factor = 64mm).

 What you might like about it:

  • low price tag
  • quality construction and optics
  • sharp and fast
  • can be used on both crop and full frame Canon DSLRs
  • super compact — I guess this is where you’ll say “duh…” 🙂

 What you might not like about it:

  • no image stabilization
  • poor backlight resistance 
  • for some people it won’t have enough bokeh

Final Thoughts on this Pancake: Best Bang for Your Buck


Look…

Canon EF 40mm f/2.8 is sharp, super-compact, has high aperture, inexpensive, has pretty good video capabilities, a fairly fast focusing and good assembly.

It can serve as a regular lens, is easy to take with you on vacation, on a hike, or any other event.

Without a doubt, you get a lot of value for the money.

Don’t you agree?



Sharp Sigma Lens for Canon DSLRs 2019


Sigma 50mm f/1.4 DG HSM Art

  • Type: Prime
  • Weight: 815 g (1.8 lb)
  • Max compatible format: FX
  • Autofocus: Yes
  • Image stabilization: No
  • Is it sealed: No
  • Good for: Travel/weddings/portraits

This lens is the complete opposite of the one mentioned before: it’s  large, heavy with metal body and quality glass inside. Moreover, it costs several times more expensive than the 40mm pancake or Canon’s native nifty-fifty.

Logically a question arises…

  • Why would you need this Sigma then?

Mainly because the level of sharpness you’ll get is out of this world. 

You get a reliable and predictable working tool that will provide high-quality images in almost any environment. 

This Sigma is the one that will let you totally forget about lighting, allowing you to shoot day time, evening time and even night time and get sharp photos. For example, handheld shooting portraits with the candlelight will NOT be a problem.

How many 50mm lenses can boast about that?

 What you might like about it:

  • fast autofocus
  • highest sharpness with an open aperture
  • no chromatic aberration
  • excellent contrast and color transmission
  • no distortion/no vignetting (that’s visible to human eye)
  • very nice bokeh
  • cheaper than Canon’s native “nifty-fifty” lens

 What you might not like about it:

  • might need AF fine tuning
  • it’s heavy
  • no dock seal
  • not weather sealed

Thoughts: The Sharpest Lens You’ll Ever Own


Probably the major con of this lens is that’s it’s large and heavy, unlike any other 50mm lenses you’ve ever had.

However, the level of image quality/sharpness that you get is also unlike any other 50mm lenses you’ve ever had. 

If you often shoot weddings and/or portraits in low light situations, this lens will be one of the best investments you’ll make in your future as a photographer.

Without a doubt, you get a lot of value for the money.



17 Top Rated Lenses for Canon Cameras 2019


17 Top Rated EF-S and EF Lenses for Crop and Full-Frame Canon DSLRs (2019).
Canon EOS 5D II · 100.0mm · ƒ/4.0 · 1/60s · ISO 400

So…

This list offers 17 top rated lens options, including telephoto, wide angle, standard zoom, macro and tilt/shift – with mini reviews of each.

Whether you’re looking for the top Canon lenses for portraits, wildlife or landscapes, you’ll find one that suits you best.

(Also, I will likely update this post by adding the Canon lenses guide for beginners.)

Now, I’d like to hear from YOU:

  • Do you own a crop or full-frame Canon camera right now?
  • What is your main photography genre?
  • Your thoughts on this list of best lenses for Canon cameras in 2019?

Any questions? Suggestions? Recommendations?

Let me know in the comments below!


17 Best Lenses for Canon Cameras: APS-C and Full-Frame Sensor DSLRs (2019)
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